Author: José Manuel Berenguer
Title: Piedra Bugre
Technique: stereophonic sound work
Edition of 3.
Original recordings of the soundscapes used in Piedra Bugre: Carlos Gómez.
Photographs: José Manuel Berenguer
Texts: José Manuel Berenguer
Algorithmic composition resulting from a code by José Manuel Berenguer.
This sound piece also includes:
· An app (PiedraBugre.app) to be reproduced in a system from MacOS 10.13.x on (the work sounds different every time).
· Digital photographs
2.500,00 € + VAT
ABOUT THE WORK
The Piedra Bugre is a dark rock formation that on the days of lower water flow comes to the surface in a narrow area of the high Uruguay River, near the Saltos del Moconá. The dividing line of the current countries of Argentina and Brazil passes through it. In the past, the stone made it easier for the Guarani tribes to travel between the two shores, but it was also a meeting place for these communities, who made it the object of celebrations and other practices, among which is the resolution of disputes, according to legend, which attributes divine properties to the place: it seems that whoever managed not to fall into the water won. When, after the first exploration of the Uruguay River, which was carried out by Fernando de Magallanes' expedition around the world, the first European visitors arrived in the area, the Guaraníes approached Piedra Bugre in search for answers that might conjure up their confusion.
Piedra Bugre, the sound piece, is the result of the application of diverse musical composition algorithms to some of the sound takes that the Orchestra of Chaos carried out during the activities of the project Sounds in Cause in this area, threatened by the industrial exploitation of natural resources.
Click here to read full text by José Manuel Berenguer.
Field photographs by José Manuel Berenguer, in different locations where the recordings were made for Piedra Bugre.
José Manuel Berenguer. Akademie der Künste, Berlin, DE.
ABOUT THE AUTHOR
José Manuel Berenguer (Barcelona, ES, b. 1955).
Director of the Orchestra of Chaos and coordinator and professor of the Master in Sound Art at the University of Barcelona, an inter-media artist, founder of Côclea with Clara Garí as well as the Orchestra of Chaos. A collaborator of the Institut International de Musique Electroacoustique de Bourges (France), he was the designer and first head of the Sound and Music Laboratory of the CIEJ of the Fundació la Caixa de Pensions, as well as professor of Electroacoustic Music at the Bourges Conservatory. Former President of the Electroacoustic Music Association of Spain and former Vice-President of the Fundació d'Artistes Visuals de Catalunya, he is currently Honorary President of the International Conference of Electroacoustic Music of the CIM/UNESCO, a member of the Académie Internationale de Musique Electroacoustique/Bourges, of the MISAME Experts' Council, as well as of the Board of Trustees of the Phonos Foundation.